7/25/2010 0 Comments The Pensioner's YarnLa Bretagne was perhaps not the best place to start in making a case for the attribution of orange round-cornered plaques to Scott's of Southwick (see my two previous postings). We know that Moore & Co made orange ship plaques, and we know that transfers from the series of Crimean-era ships – to which La Bretagne belongs – appear on wares stamped Moore & Co. I've racked my brain trying to think of a transfer uniquely associated with Scott, which appears on orange round-cornered plaques. The Pensioner's Yarn appears on typical Scott plaques (see below). It also appears on marked Scott wares like the plate in the photo below, taken by Northeast Auctions. Click here for their description. And it appears on orange plaques. (Thanks to Elinor Penna for the photo below.) I think this greatly strengthens the Scott attribution, or at least enables us to eliminate Moore & Co. I can't think of any transfers, unique to Moore & Co, which appear on these orange-bordered plaques. Or of any Moore wares with The Pensioner's Yarn transfer. Perhaps someone out there will be able to prove me wrong! P.S.It didn't take long to find a flaw in my hypothesis. The transfer on the marked Moore & Co orange plaque (below left) also appears on plaques with rounded corners. I don't remember seeing a Scott version of this transfer. Confusion reigns!
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AuthorStephen Smith lives in London, and is always happy to hear from other collectors. If you have an interesting collection of plaques, and are based in the UK, he will photograph them for you. Free advice given regarding selling and dispersal of a collection, or to those wishing to start one. Just get in touch... Archives
February 2022
AcknowledgementsThis website is indebted to collectors, dealers and enthusiasts who have shared their knowledge or photos. In particular: Ian Holmes, Stephen Duckworth, Dick Henrywood, Norman Lowe, Keith Lovell, Donald H Ryan, Harold Crowder, Jack and Joyce Cockerill, Myrna Schkolne, Elinor Penna, Ian Sharp, Shauna Gregg at the Sunderland Museum, Keith Bell, Martyn Edgell, and Liz Denton.
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